Creative Archipelago
Fascinated with Donald Judd’s radical approach, it is interesting to consider the clash with another major ideology that was taking form in New York at that time.
While Judd was transforming the building into a home, a studio and most importantly a laboratory of ideas, the explosion of consumerism reverberated in Andy Warhol’s “Factory”.
For Warhol, the factory is the space of the momentary, generating 15 minutes of fame and the nomad artwork assembly line.
The impermanence of The Factory exists through a set of memories of events hinged on parties where the only constant becomes the iconic image and the sofa as place of gathering and happening – Here event becomes simulation of place.
Pairing the two, whom both impose their beliefs and appropriate objects of others to form their own identity, we question the issue of identity within the spectrum of the different states of the objects we make.
Clashing the fleeting with the fixed, on a material level, these experiments interrogate the issue of identity through:
- the visual of the object as representation
- the figure of the object / the object itself
- the formal object / geometry, material, form
- the behavioral implication of the object / the event
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Creative Archipelago 